The Emperor's Children

2.93 based on 15451 ratings & 2329 reviews on Goodreads.com
Picador

Publication date: 13.08.2015
ISBN: 9781447289425
Number of pages: 0

Synopsis

With an introduction by Neel Mukherjee.

In Manhattan, just after the century's turn, three thirty-year-old friends, Danielle, Marina and Julius, are seeking their fortunes. But the arrival of Marina's young cousin Bootie - fresh from the provinces and keen, too, to make his mark - forces them to confront their own desires and expectations.

The Emperor's Children by Claire Messud is an American classic: a sweeping portrait of one of the most fascinating cities in the world, and a haunting illustration of how the events of a single day can change everything, for ever.

In the media

Claire Messud is a novelist of unnerving talent . . . The Emperor's Children is a masterly comedy of manners - an astute and poignant evocation of hobnobbing glitterati in the months before and immediately following September 11 . . . [It] is, on its surface, a stingingly observant novel about the facades of the chattering class - with its loves, ambitions and petty betrayals - but it is also, more profoundly, about a wholesale collision of values . . . The Emperor's Children is full of satirical chiding, but it's one of the most delightful - even delicious - forms of such chiding I've encountered . . . Among its many pleasures, this novel indisputably reminds us of one truth that cannot be declared fungible: the obdurate reality of the human imagination. The Emperor's Children is a penetrating testament to its power.
New York Times Book Review
[The Emperor's Children] demonstrates Ms. Messud's growing range as a writer, her ability to shift gears effortlessly between the comic and the tragic, the satiric and the humane . . . Ms. Messud delineates this Manhattan world with quick, sure, painterly strokes, relying less on Tom Wolfeian status details and obviously satiric vignettes than on her psychological radar for how people talk and behave . . . Ms. Messud does a nimble, quicksilver job of portraying her central characters from within and without - showing us their pretensions, frailties and self-delusions, even as she delineates their secret yearnings and fears. At the same time, she uses their stories to explore many of the same questions she explicated so masterfully in The Last Life - questions about how an individual hammers out an identity of his or her own under the umbrella of a powerful family, questions about the ways in which people mythologize their own lives and the lives of those they love.
New York Times
As large-hearted as it is ambitious, this is a novel that combines the old-fashioned art of storytelling with a clear-eyed view of the modern world.
Sunday Times