The Good People

3.89 based on 2233 ratings & 403 reviews on Goodreads.com
Picador

Publication date: 09.02.2017
ISBN: 9781447233374
Number of pages: 0

Synopsis

County Kerry, Ireland, 1825.

NÓRA, bereft after the sudden death of her beloved husband, finds herself alone and caring for her young grandson Micheál. Micheál cannot speak and cannot walk and Nóra is desperate to know what is wrong with him. What happened to the healthy, happy grandson she met when her daughter was still alive?

MARY arrives in the valley to help Nóra just as the whispers are spreading: the stories of unexplained misfortunes, of illnesses, and the rumours that Micheál is a changeling child who is bringing bad luck to the valley.

NANCE's knowledge keeps her apart. To the new priest, she is a threat, but to the valley people she is a wanderer, a healer. Nance knows how to use the plants and berries of the woodland; she understands the magic in the old ways. And she might be able to help Micheál.

As these three women are drawn together in the hope of restoring Micheál, their world of folklore and belief, of ritual and stories, tightens around them. It will lead them down a dangerous path, and force them to question everything they have ever known.

Based on true events and set in a lost world bound by its own laws, The Good People is Hannah Kent's startling new novel about absolute belief and devoted love. Terrifying, thrilling and moving in equal measure, this long-awaited follow-up to Burial Rites shows an author at the height of her powers.

In the media

An imaginative tour-de-force that recreates a way of perceiving the world with extraordinary vividness . . . With its exquisite prose, this harrowing, haunting narrative of love and suffering is sure to be a prize-winner
Daily Mail
Kent conjures up with exceptional intensity and empathy a world in which folk beliefs hold as much sway over people’s minds as religious faith . . . It would have been all too easy to present this story as a conflict between rational enlightenment and peasant superstition, but the main strength of Kent’s narrative is that it avoids such a simple dichotomy. 'I have told you my truth,' Nance tells the court during the trial scenes that provide the book’s climax. Such is the power of Kent’s imaginative sympathy with her characters that this becomes not merely the mantra of a deluded old woman, but a moving statement of her continuing faith in her own vision of the way the world works . . . The Good People is an even better novel than Burial Rites — a starkly realised tale of love, grief and misconceived beliefs
Sunday Times
Hannah Kent has terrific form as a historical novelist - her highly acclaimed debut, Burial Rites, set in a 19th-century Icelandic village, was shortlisted for the Bailey's Women's Prize for Fiction. This novel, based on a true story, is even better. As the tale slowly builds, Kent creates an immersive, startlingly lyrical portrait of a time when the borders between logic and superstition were dangerously porous and where the Catholic church is determined to strengthen its grip . . . thrillingly alive to the dynamic of poor, close-knit communities, where fear of the outsider trumps reason and compassion
Metro
Hannah explains how an intriguing story that she discovered in a nineteenth-century newspaper inspired The Good People