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Pages for Her

3.84 based on 191 ratings & 43 reviews on Goodreads.com

Synopsis

'A complex portrait of two women's sexuality . . . an absolute pleasure' Alice Sebold

Flannery, a writer with one well-known rather racy book to her name, is, by her own admission, in a situation she never thought she'd be: married to a man who overshadows her and defined by her primary relationships as wife and mother. When Flannery is invited to a writers' conference she sees a chance to return to a world she knew well. And then she recognizes the name of the chair of the event: Anne Arden. Suddenly Flannery is thrown back twenty years to her eighteen-year-old self and the most intense love affair of her entire life.

On the other side of the world Anne is travelling for work. Recently out of a decades-long partnership, she feels adrift, unsettled. When a friend asks her to chair an event at a writers' conference she says yes and a couple of months later, on the same campus where they met and fell in love, Anne and Flannery are reunited. Though their lives have taken them in different and unexpected directions, the pull between them proves irresistible.

Elegant, clever, witty and sensual, Pages for Her is a novel about love, memory and what it is to be a woman, a wife, and a mother.

In the media

Reading Pages For Her is like going on the perfect date; it picks you up, impresses you with its knowledge, seduces you with its wit and soon sweeps you away into a different world. And if you're hungry for more, there's a special reissue of cult classic Pages For You, the story of the first encounter between Flannery and Anne
Diva
Brownrigg did something marvelous in Pages For You . . . Now, 15 years later, there is a sequel: Pages For Her . . . There is nothing of the parable in these two books. They are not allegories or lessons about how to be a queer woman in the world. It is not wrong to have babies, and it isn’t wrong to marry men or not marry men. It is not wrong to be too young or too old, to be more or less into girls at whatever particular age or stage one happens to be. For this simple reason, reading Brownrigg’s novels feels like entering a fictional world that is less fussy, more real. Mainstream fiction could do with substantially more fiction about romance between teenagers and between middle-aged women . . . For now, we have these pages.
New Republic
Beautiful . . . a soft, pure and very gentle exercise on the nature of love . . . an exhilarating, passionate work that explores marriage, sexuality, and the transformative power of love over time and the way two women face the slow burning truth of their lives, their relationships and the utter delight of honest ownership of powerful experiences and truth
G Scene