Writing erotica after the Fifty Shades effect
30 September 2015
By Pan Macmillan
My friend’s grandmother died recently and when she and her mother started going through her granny’s possessions, they found a neat hand-written manuscript in a box under her bed. They sat down and started to read it, unable to believe that the prim, Scottish matron with her tweed twin-sets they’d always had to mind their p’s and q’s around had penned such a saucy bodice ripper. They were actually very proud.
The point is that all of us have sex, but we also all have a private erotic fantasy life, which most of us hardly ever share – even with our nearest and dearest. It’s something difficult to express. Fantasy doesn’t reflect you, or what you would actually do in real life, so admitting to the wildly salacious scenes you’ve imagined or half-imagined feels embarrassing.
We haven’t really been able to discuss this much up until now, but thanks to the success of Fifty Shades, the debate has started. We girls are acknowledging that fantasy is important us – and having books that feed into our erotic fantasy lives are necessary. But whilst it’s a given that men find visual stimulation works for them – hence the vast porn industry - women are more tricky. We need an emotional element to our fantasies. We need a story.
Of course, these days, there’s a lot less stigma attached to writing and reading erotica thanks to E.L James’s novels making erotica mainstream. Nobody is embarrassed about reading an erotic fiction book on the tube anymore and thankfully, would-be erotica authors don’t have to hide their manuscripts under the bed.
But we’ve got fussier and I knew even before embarking on my own erotic novel that the pressure was on. Female readers are on the look out for new material, but they’re on the look out for something good and not just a copy-cat of what has gone before.
My feeling has always been that in order to execute an erotic fantasy well, the writing has to be good enough to suspend the reader’s disbelief all the way through the novel. In fact, I would argue that in erotica, the writing probably needs to be better than in other genres – say thrillers, where the plot is what propels you through. Above all else, an erotic novel needs to be emotionally honest and engaging. It won’t work if the reader doesn’t care about the characters.
Bearing all of this in mind, Our Little Secret, a suspenseful, erotic thriller following Sophie Henshaw, an adventurous nanny from Manchester as she travels to New York to work for the mysterious, uber-wealthy socialites Edward and Marnie Parker. But you’ll have to read it to find out what happens next…