The Bees

Carol Ann Duffy

Carol Ann Duffy Reads A Poem

Carol Ann Duffy recites Premonitions, a poem from her collection The Bees

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Virgil’s Bees

Bless air’s gift of sweetness, honey
from the bees, inspired by clover,
 marigold, eucalyptus, thyme,
the hundred perfumes of the wind.
Bless the beekeeper

who chooses for her hives
a site near water, violet beds, no yew,
no echo. Let the light lilt, leak, green
or gold, pigment for queens,
and joy be inexplicable but there
in harmony of willowherb and stream,
of summer heat and breeze,
each bee’s body

at its brilliant flower, lover-stunned,
strumming on fragrance, smitten.

For this,
let gardens grow, where beelines end,
sighing in roses, saffron blooms, buddleia;
where bees pray on their knees, sing, praise
in pear trees, plum trees; bees
are the batteries of orchards, gardens, guard them.

Carol Ann Duffy, The Bees

 
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Praise for The Bees

 ‘Beautiful and moving poetry for the real world’ Jeanette Winterson, Guardian

‘Characteristically clear-spoken and anti-metaphysical, it offers the reader much more than simply a collection of “public” Laureate poems. Its sense of joyous freedom is deeply refreshing’ Fiona Sampson, Independent

‘Superb… a masterclass in how public poetry can reanimate the personal’ The Times

‘A golden honeycomb of a collection, buzzing with energy, pity, passion and perceptiveness about what makes us human despite the appalling things we do to nature and each other. It is clearly the work of the great poet of our time and so exquisitely produced in blue and gold that it makes an ideal gift’ Amanda Craig, New Statesman

‘Duffy is spearheading the current surge in poetry’s population. Her book sales are going through the roof, her staged readings regularly sell out and her latest collection, The Bees, is shortlisted for the Costa Book Awards…. [Carol Ann] strides off into the night. Nobody bows or curtsies but I have a feeling that one day they might’ - from the big interview with Carol Ann in the Sunday Express

‘Arguably her most interesting book since Mean Time. The best pieces here are concise, with a rich musical authority that brings some poems close to song’ Sean O’Brien, Sunday Times


‘Poetry is too often overlooked in favour of novels and celebrity biographies; Duffy’s first new collection as Poet Laureate reminds us just how wonderful the form can be…. This beautifully presented volume is eloquent, simple, and (seemingly) effortlessly moving’ Diva magazine

‘If Rapture was an imposing display of Duffy’s virtuosity and versatility, those same qualities are repeated here with fresh abundance and a sense, too, that Duffy as again remaking herself as a poet… This is a magnificent collection of shimmering lyric poetry by a poet who can move from spare to opulent language without any attendant discord. Every word matters in a Duffy poem, and every poem is “a spell if kinds,/ that keeps things living in the written line”’ Irish Times

‘Wonderfully varied… Here’s a mixter maxter of every kind of Duffy poem: angry, political, elegiac, witty, nakedly honest, accessible, mysterious. Here are the willed, the skilled, the passionate ecological pleas and exhortations, the other voices, the lists and litanies, and, above all, the lovely lyrics of longing and loneliness and sorrow laced with ephemeral moments of almost-acceptance, lightness and grace. [Some] will sting you to tears. The elegies for that much-missed mother are the most moving poems in the whole book. “Cold” will stop your own heart for a moment. Duffy is brazen enough to write words such as besotted, smitten…and to bring it all off brilliantly. To float like a butterfly, sting like a bee’ Guardian

‘The bees of Duffy’s title recur throughout the book, announcing the poet’s devotion to her vocation and her mastery of it… Gusto strains against sorrow, both general and particular… The tension created by these darker tones tests Duffy’s confidence and makes her moments of levity more poignant, delivering poems that are sparer, purer and often more musical than ever before’ Financial Times

‘[Duffy] has such remarkable gifts as a poet of grace, dexterity and clarity. And there are poems here that are unforced and beautiful: gifts… “Water" is perfectly controlled, yet written with what could almost be mistaken for casualness. It carries its emotional weight effortlessly. It acknowledges three generations, needing one another in ordinary ways. The "parched" at the end is beautiful and unlaboured. In every sense, it holds water’ Observer

‘Duffy’s publishers have done her proud with this handsome volume… Recent poets laureate seem to have found that the honour has a dismal effect on their poetic powers, but on the evidence of this lively volume, Duffy’s muse is still on fine form’ Daily Mail

‘Compassion and empathy are prevalent… Suffused with keen perception and insight, it’s a resonant collection taking in ecology, spirituality, politics, love and more. Duffy displays the breadth of her subject matter and talent throughout’ Big Issue

‘a beautiful new collection’ Easy Living’s ‘Gift Guide’

‘the perfect present for the woman in your life’  Something for the Weekend, BBC
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Books By This Author

  • A Laureate's Choice - 101 Poems for Children Chosen by Carol Ann Duffy
  • The Christmas Truce
  • New Selected Poems: 1984-2004
  • Another Night Before Christmas
  • The World's Wife
  • Rapture
  • Feminine Gospels
  • Love Poems
  • The Other Country
  • Mrs Scrooge: A Christmas Tale
  • To the Moon: An Anthology of Lunar Poems
  • Moon Zoo
  • Underwater Farmyard
  • Answering Back: Living poets reply to the poetry of the past
  • Hand in Hand: An Anthology of Love Poems
   

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The Bees

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Read an extract from this book

Book Details

Imprint: Picador
ISBN: 9780330442442
Number of pages: 96
Dimensions: 216mm x 135mm
Format: Hardback
Publication Date: 07/10/2011

Latest News

Poet Laureate Carol Ann Duffy picks up category prize.
Three Picador poets have been shortlisted for the Costa Book Awards.
Five Pan Macmillan authors in running for best new books of the year

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What's It All About?

The new collection from the Poet Laureate

The Bees is Carol Ann Duffy’s first collection of new poems as Poet Laureate, and the much-anticipated successor to the T. S. Eliot Prize-winning Rapture. After the intimate focus of the earlier book, The Bees finds Duffy using her full poetic range: there are drinking songs, love poems, poems to the weather, poems of political anger; her celebrated ‘Last Post’ (written for the last surviving soldiers to fight in the First World War) showed that powerful public poetry still has a central place in our culture. There are elegies, too, for beloved friends, and – most movingly – the poet’s own mother. As Duffy’s voice rises in this collection, her music intensifies, and every poem patterns itself into song.

Woven and weaving through the book is its presiding spirit: the bee. Sometimes the bee is Duffy’s subject, sometimes it strays into the poem, or hovers at its edge – and the reader soon begins to anticipate its appearance. In the end, Duffy’s point is clear: the bee symbolizes what we have left of grace in the world, and what is most precious and necessary for us to protect. The Bees is a work of great ecological and spiritual power, and Duffy’s clearest affirmation yet of her belief in the poem as ‘secular prayer’, as the means by which we remind ourselves what is most worthy of our attention and concern, our passion and our praise.

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