The War of the Poor
Shortlisted for the International Booker Prize 2021
'A dazzling piece of historical re-imagining and a revolutionary sermon, a furious denunciation of inequality' The judges of the International Booker prize.
The fight for equality begins in the streets.
From the internationally bestselling author of The Order of the Day: Éric Vuillard once again takes us behind the scenes at a moment when history was being written.
The history of inequality is a long and terrible one. And it’s not over yet. Short, sharp and devastating, The War of the Poor tells the story of a brutal episode from history, not as well known as tales of other popular uprisings, but one that deserves to be told.
Sixteenth-century Europe: the Protestant Reformation takes on the powerful and the privileged. Peasants, the poor living in towns, who are still being promised that equality will be granted to them in heaven, begin to ask themselves: and why not equality now, here on earth?
There follows a violent struggle. Out of this chaos steps Thomas Müntzer: a complex and controversial figure, who sided with neither Martin Luther, nor the Roman Catholic Church. Müntzer addressed the poor directly, encouraging them to ask why a God who apparently loved the poor seemed to be on the side of the rich.
Éric Vuillard tells the story of one man whose terrible and novelesque life casts light on the times in which he lived – a moment when Europe was in flux. As in his blistering look at the build-up to World War II, The Order of the Day, Vuillard 'leaves nothing sleeping in the shadows' (L'OBS).
This brief, ardent book, half-historical essay and half-revolutionary tract, mingles swift-moving tableaux from the preacher’s life and age with Vuillard’s pulpit homilies on oppression and resistance . . . its incendiary prose well served by Mark Polizzotti’s translation, has scenes of firecracker intensity.
[A] compact, artful blend of history and fiction . . . in cinematic bursts of image and action . . . [Vuillard] never forces analogies with the present, but the uprisings he describes feel like part of a war destined to rage in any era beset by gross inequalities.
It is very French and I mean that as a whole-hearted compliment . . . Set in a Europe of political division, sickness, disenfranchisement, poverty and simmering rebellion, it may be patterned on the gilets jaunes disruptions but is far more universal. The narrator is both aloof and humble; not willing to speculate about Müntzer’s motives, but desperate to understand him.
Stuart Kelly, Scotland on Sunday