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Daughters of Night

Synopsis

‘The best historical crime novel I will read this year’ – The Times

From The Sunday Times bestselling author of The Square of Sevens, Laura Shepherd-Robinson’s Daughters of Night follows Caroline Corsham as she seeks justice for a murdered woman whom Georgian London society would rather forget . . .

London, 1782. Desperate for her politician husband to return home from France, Caroline ‘Caro’ Corsham is already in a state of anxiety when she finds a well-dressed woman mortally wounded in Vauxhall Pleasure Gardens. The Bow Street constables are swift to act, until they discover that the dead woman was a highly paid prostitute. But Caro has motives of her own for wanting to see justice done.

Enlisting the help of thief-taker Peregrine Child, Caro sets out to solve the crime herself. Their inquiry delves into the hidden corners of Georgian society, a world of artifice and deception. But with many gentlemen refusing to speak about their dealings with the dead woman, and Caro’s own reputation under threat, finding the killer will be more treacherous than she can know . . .

‘Spectacularly brilliant . . . One of the most enjoyable and enduring stories I have ever read’ – James O'Brien, journalist and author of How They Broke Britain

Praise for Laura Shepherd-Robinson:

‘This rich, complex and haunting Dickensian epic is a triumph of the Gothic genre’ – Janice Hallett, bestselling author of The Appeal, on The Square of Sevens


‘A page-turner of a crime thriller . . . This is a world conveyed with convincing, terrible clarity’ – C. J. Sansom, bestselling author of Tombland, on Blood & Sugar

Details

03 March 2022
592 pages
9781509880843
Imprint: Pan

Reviews

Here’s one where the pages turn all by themselves and the plot doesn’t let you goDiane Setterfield, author of Once Upon a River
This is right up with the best of C. J. Sansom and Andrew Taylor . . . A real treat, for readers of literary, detective and historical fictionAmanda Craig, author of The Lie of the Land
Shepherd-Robinson’s ingenious plotting, eagle eye for detail and evocative prose picked me up and dropped me in the underbelly of Georgian London. Like all the best historical fiction it makes the reader think as much about the way we live now as thenErin Kelly, author of He Said/She Said
A dark, fascinating and richly imagined world – brilliantly done!Ruth Ware, author of One By One and In a Dark, Dark Wood