Olivia Laing on the story behind Crudo's cover
Olivia Laing discusses the cover design for her novel Crudo.
Olivia Laing discusses the story behind the cover of her novel Crudo, and why she chose Wolfgang Tillmans' photograph astro crusto, a.
Crudo is the first book I've written where I knew exactly what image I wanted on the cover. I'd seen the photograph at the Tate, at the Wolfgang Tillmans retrospective in 2017. At first glance, it looked like an abstract colourscape, composed of pearly white, Barbie pink and livid orange. On closer inspection, I realised I was looking at a smashed crustacean (a crab? a lobster?), the remnants of somebody's luxurious, lingering lunch. Just off centre, a fat black fly picks over the last gleaming hunks of meat.
It's a fantastic photograph: at once disgusting and voluptuous, stomach-churningly gorgeous. More than one person has told me it reminds them of a Renaissance painting. The combination of rot and abundance, and especially the fly on food is a classic memento mori composition, a reminder of the transience of all things of the flesh, no matter how lovely.
True, it's not actually raw, but it does tie in with a key scene in Crudo, in which the lead character, Kathy, smashes a crab open with a hammer. “She wanted to be cracked open, that was the thing, only on her own terms and within preordained limits.” Crudo is a book about opening up, about becoming less selfish. It's about making a choice not to be armoured, in a world where borders and boundaries are ever more violently policed.