Released on 12 January 2017.

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Innocents and Others

3.51 based on 1835 ratings & 328 reviews on Goodreads.com

Synopsis

‘Spiotta is a wonder.’ – George Saunders, author of Lincoln in the Bardo

Meadow Mori and Carrie Wexler grew up together in Los Angeles, and both became film-makers.

Meadow makes challenging documentaries; Carrie makes successful feature films with a feminist slant. The two friends have everything in common - except their views on sex, power, movie-making and morality. And yet their loyalty trumps their different approaches to film and to life.

Until, one day, a mysterious woman with a unique ability to cold-call and seduce powerful men over the phone - not through sex, but through listening - becomes the subject of one of Meadow's documentaries. Her downfall, and what makes her so extraordinarily moving, is that she pretends to be someone she is not. The fallout from this challenges their friendship like nothing before.

Heart-breaking and insightful, Innocents and Others by Dana Spiotta is an astonishing novel about friendship, identity, loneliness and art.

In the media

The visionary liberty and daring with which Dana Spiotta has crafted her brilliant new novel, Innocents and Others (Scribner), is both inspirational and infectious.
Elle
Like Joan Didion and Don DeLillo, two legends to whom she's often compared, Dana Spiotta is a master of observing the way cultural artifacts take up so much space in our daily lives. Her latest novel takes place in the world of film in the 1980s, and two friends who've taken dramatically different paths in their careers as filmmakers . . . As the two friends' lives intersect with a woman named Jelly, who has anonymous yet romantic phone conversations with the Hollywood elite, it's clear how an undeniable trait of humanity is seek meaningful connection in an isolating world
Esquire (US)
Masterful, a novel as elegant and audacious as it is absorbing and complex. For the closer we move to the truth of her characters and their dilemmas, the clearer it ­becomes that truth is both immense and provisional, the understandings it offers startling and elusive.
The Australian