'A Shock inhabits the secret life of a city, its hidden energies. It dramatizes how patterns form and then disperse, how stories are made and relationships created . . . remarkable' - Colm Tóibín, author of Brooklyn
'Political, pertinent, spunky and funny, A Shock is a grand sweep of modern storytelling' - June Caldwell, author of Room Little Darker
In A Shock, a clutch of more or less loosely connected characters appear, disappear and reappear. They are all of them on the fringes of London life, often clinging on – to sanity or solvency or a story – by their fingertips.
Keith Ridgway, author of the acclaimed Hawthorn & Child, writes about people whose understanding of their own situation is only ever partial and fuzzy, who are consumed by emotions and anxieties and narratives, or the lack thereof, that they cannot master. He focuses on peripheral figures who mean well and to whom things happen, and happen confusingly, and his fictional strategies reflect this focus. In a deftly conjured high-wire act, Ridgway achieves the fine balance between the imperatives of drama and fidelity to his characters. The result is pin-sharp and often breathtaking.
'A Shock is a perfect, living circle of beauty and mystery, clearsighted and compassionate, and, at times, wonderfully funny’ - David Hayden, author of Darker With the Lights On
A Shock inhabits the secret life of a city, its hidden energies. It dramatizes how patterns form and then disperse, how stories are made and relationships created. Keith Ridgway offers his London a luminous glow, but his competing narratives are also rooted in a real place, with a remarkable sense of character and the shifting systems that make up his contemporary urban space
Like Finnegans Wake, only readable. Ridgway’s trick — no, his skill — is that the stories combine down-to-earth real-ism with an incremental sense of strange-ness. He seduces you, then smacks you over the head, abandoning you miles fromwhere you thought you’d be
Ingeniously slippery — what initially looks like a collection of loosely linked short stories reveals itself to be an expertly constructed house of mirrors . . . A Shock is the kind of novel that rewards multiple readings, new echoes and connections revealing themselves each time. And, in the same way that one character describes the unsettling, near-hallucinatory side effects of doing certain drugs — 'it’s just peripheral, corner of the eye stuff, movements'— you get the sense of myriad other lives unfolding around those described here, all tantalizingly out of sight
Lucy Scholes, New York Times Book Review