Four female authors whose real lives are as fascinating as their fiction

To celebrate publication of the Macmillan Collector's Library edition of Katherine Mansfield's Prelude, we feature four authors whose lives dazzled as much as their writing.

by Marissa Constantinou
5 minutes to read
A black and white photograph of Charlotte Perkins Gilman taken in profile in roughly 1900

Many authors are inspired to write about the real events of their lives, so it makes sense that writers are a particularly fascinating bunch. From New Zealand to Connecticut to Chicago via the Bloomsbury Group, the Suffragette movement and the Harlem Renaissance, here are four female authors who lived remarkably interesting lives.

Katherine Mansfield

A black and whte photograph of Katherine Mansfield in 1917, sitting reading on a deck chair in a garden

Katherine Mansfield, 1917

Born in New Zealand in 1888, Katherine Mansfield got a taste for life beyond rural New Zealand when she was sent to school in London in 1903. She had found her home country stifling and dull, and she left it for good five years later. Mansfield drew on her childhood for many of her stories and also on her life in Europe – she was married twice, had many same-sex relationships, and spent the last few years of her tragically young life searching for treatments, often unorthodox, for the tuberculosis that eventually killed her. Her restless life was fodder for her modernist and bold stories – about relationships, women’s lives, corruption and the tension between our public and private selves.  


Prelude & Other Stories

by Katherine Mansfield

Book cover for Prelude & Other Stories

This selection of stories by Katherine Mansfield showcases her remarkable ability to delve into the human mind; in stories such as ‘The Garden Party’ she reveals the tension between innocence and corruption, the dark side of love and romance are explored in ‘Bliss’ and ‘Love à la Mode’, and in the title story, ‘Prelude’, inspired by her own childhood, her concern is for the isolated and the lonely. Collected together for the first time, this selection of short stories by Katherine Mansfield showcase her remarkable ability to delve deep into human psychology.

Charlotte Perkins Gilman

A black and white photograph of Charlotte Perkins Gilman taken in profile in roughly 1900

Charlotte Perkins Gilman, circa 1900

Gilman was born in Connecticut in 1860. She was an exceptionally intelligent child who excelled in both physics and design. Her husband was an artist, and after the birth of her first and only child she suffered from terrible postpartum depression which was made worse by the ‘rest cure’ prescribed by her doctor. Her depression only began to lift when she moved away from her husband and became intellectually stimulated by the suffragette and socialist movements. Inspired by her own experience she wrote her famous short story The Yellow Wallpaper in 1890, and spent the rest of her life lecturing, editing and writing. She died in 1935 by suicide after being diagnosed with breast cancer.

The Yellow Wallpaper & Herland

by Charlotte Perkins Gilman

Book cover for The Yellow Wallpaper & Herland

Charlotte Perkins Gilman’s progressive views on feminism and mental health are powerfully showcased in her two most famous stories. The Yellow Wallpaper skillfully charts one woman's struggle with depression whilst Herland is an entertaining imagining of an all female utopia.

Bette Howland

A black and white photograph of Bette Howland smiling to the camera

Bette Howland

Howland was born to Jewish immigrants in Chicago in 1927. She married a biologist and together they had two sons before getting divorced. As a single mother she worked as a librarian and an editor to support her children, but her dream was to become a writer. In 1968 when she was just thirty-one, Bette was admitted to a psychiatric ward after attempting to commit suicide in Saul Bellow’s apartment. Following her recovery and release, she published a memoir, W-3, named after the ward on which she stayed, which documented her life-changing experience there. 

Howland published two more books, and in 1984 won a MacArthur ‘Genius’ Fellowship, but the overwhelming pressure from this prize caused her to retreat from her work. Her books went out of print and were re-discovered thirty years later by editor Brigid Hughes, two years before Howland’s death in 2017.

We caught up with Brigid Hughes herself, who rediscovered Bette's extraordinary memoir W-3 in a Manhattan secondhand bookstore's one-dollar cart. Read the interview here.


by Bette Howland

Book cover for W-3

W-3 is a small psychiatric ward in a large university hospital, a world of pills and passes dispensed by an all-powerful staff, a world of veteran patients with grab-bags of tricks, a world of disheveled, moment-to-moment existence on the edge of permanence. Bette Howland was one of those patients. In 1968, while struggling to support her family on her part-time salary she swallowed a bottle of pills while staying at her friend Saul Bellow’s apartment. 

W-3 is both an extraordinary portrait of the community of Ward 3 and a record of a defining moment in a writer’s life. The book itself would be her salvation: she wrote herself out of the grave.

Nella Larsen

A sepia toned, close-up photograph of Nella Larsen, looking to camera with a slight smile

Nella Larsen, 1928

Larsen was also born in Chicago, in 1891, to a Danish mother and an Afro-Caribbean father who died when she was young. Her mother remarried a Danish man and Larsen suffered from racial discrimination in her mostly white neighbourhood. She trained as a nurse and excelled in her field before marrying a physicist and moving to Harlem in the 1920s. Here she became active in the Harlem Renaissance movement and wrote two novels, Quicksand and Passing. Larsen later divorced her husband and retreated from the literary and artistic circles of Harlem, returning to her former career of nursing. She was the first black woman to receive a Guggenheim Fellowship and she died in 1964.

Here, journalist Leah Cowan explores the history of racial passing, and how important Larsen's novel Passing remains today for its authentic portrayal of the black female experience.


by Nella Larsen

Book cover for Passing

Immerse yourself in 1920s New York through Nella Larsen's distinctive and revealing novel. The story centres around identity, belonging and two childhood friends who’ve long grown apart – Clare Kendry who is proud of her Harlem roots, and Irene Redford who has abandoned them altogether, ‘passing’ as white to her racist husband in the upper classes of New York. As their worlds intertwine once again, tensions lead up to a truly shocking conclusion. A classic far ahead of its time, Passing reads like the best of contemporary literary fiction.