Released on 23 February 2017.

Read extract

The Last Days of New Paris

3.58 based on 2698 ratings & 461 reviews on Goodreads.com

2017 Short-listed

Locus Award Best Fantasy Novel

Synopsis

A thriller of a war that never was - of survival in an impossible city - of surreal cataclysm. In The Last Days of New Paris, China Miéville entwines true historical events and people with his daring, uniquely imaginative brand of fiction, reconfiguring history and art into something new.

1941. In the chaos of wartime Marseille, American engineer and occult disciple Jack Parsons stumbles onto a clandestine anti-Nazi group, including Surrealist theorist André Breton. In the strange games of dissident diplomats, exiled revolutionaries, and avant-garde artists, Parsons finds and channels hope. But what he unwittingly unleashes is the power of dreams and nightmares, changing the war and the world for ever.

1950. A lone Surrealist fighter, Thibaut, walks a new, hallucinogenic Paris, where Nazis and the Resistance are trapped in unending conflict, and the streets are stalked by living images and texts - and by the forces of Hell. To escape the city, Thibaut must join forces with Sam, an American photographer intent on recording the ruins, and make common cause with a powerful, enigmatic figure of chance and rebellion: the exquisite corpse.

But Sam is being hunted. And new secrets will emerge that will test all their loyalties - to each other, to Paris old and new, and to reality itself.

In the media

Hauntingly poetic, strangely beautiful . . . The characters, especially Sam the journalist, are vividly drawn into life. This is a book that deftly balances thumping action with quiet contemplation.
San Francisco Book Review
There's so much absurd beauty among the fauna in this story of surrealist art come to life in Nazi-occupied France, in fact, that the author's subtler points about imagination and oppression arrive as a surprise . . . The finale of The Last Days of New Paris is both moving and disturbingly timely: Imagination has often been used to puncture fascism; now Miéville asks whether fascism can defeat and subvert art.
Newsday
A strange and compelling tale.
New York Post