Out on 20 February 2020

Shuggie Bain

Douglas Stuart

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20 February 2020
9781529019315
1080 minutes
Synopsis

It is 1981. Glasgow is dying and good families must grift to survive. Agnes Bain has always expected more from life. She dreams of greater things: a house with its own front door and a life bought and paid for outright (like her perfect, but false, teeth). But Agnes is abandoned by her philandering husband, and soon she and her three children find themselves trapped in a decimated mining town. As she descends deeper into drink, the children try their best to save her, yet one by one they must abandon her to save themselves. It is her son Shuggie who holds out hope the longest.

Shuggie is different. Fastidious and fussy, he shares his mother’s sense of snobbish propriety. The miners' children pick on him and adults condemn him as no’ right. But Shuggie believes that if he tries his hardest, he can be normal like the other boys and help his mother escape this hopeless place.


Douglas Stuart's Shuggie Bain lays bare the ruthlessness of poverty, the limits of love, and the hollowness of pride. A counterpart to the privileged Thatcher-era London of Alan Hollinghurst’s The Line of Beauty, it also recalls the work of Édouard Louis, Frank McCourt, and Hanya Yanagihara, it is a blistering debut by a brilliant novelist with a powerful and important story to tell.

A dark shining work. Raw, formidable, bursting with tenderness and frailty. The effect is remarkable, it will make you cry.

Karl Geary, author of Montpelier Parade

Every now and then a novel comes along that feels necessary and inevitable. I’ll never forget Shuggie and Agnes or the incredibly detailed Glasgow they inhabit. This is the rare contemporary novel that reads like an instant classic. I’ll be thinking and talking about Shuggie Bain - and teaching it - for quite some time.

Garrard Conley, New York Times-bestselling author of Boy Erased

Shuggie Bain is an intimate and frighteningly acute exploration of a mother-son relationship and a masterful portrait of alcoholism in Scottish working class life, rendered with old-school lyrical realism . . . I kept being reminded of Joyce's Dubliners.

Sandra Newman, author of The Heavens