God: An Anatomy

Francesca Stavrakopoulou

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16 September 2021
9781509867332
608 pages
Synopsis

Beautifully written, passionately argued and frequently controversial, God: An Anatomy is cultural history on a grand scale.

Three thousand years ago, in the Southwest Asian lands we now call Israel and Palestine, a group of people worshipped a complex pantheon of deities, led by a father god called El. El had seventy children, who were gods in their own right. One of them was a minor storm deity, known as Yahweh. Yahweh had a body, a wife, offspring and colleagues. He fought monsters and mortals. He gorged on food and wine, wrote books, and took walks and naps. But he would become something far larger and far more abstract: the God of the great monotheistic religions.

But as Professor Francesca Stavrakopoulou reveals, God’s cultural DNA stretches back centuries before the Bible was written, and persists in the tics and twitches of our own society, whether we are believers or not. The Bible has shaped our ideas about God and religion, but also our cultural preferences about human existence and experience; our concept of life and death; our attitude to sex and gender; our habits of eating and drinking; our understanding of history. Examining God’s body, from his head to his hands, feet and genitals, she shows how the Western idea of God developed. She explores the places and artefacts that shaped our view of this singular God and the ancient religions and societies of the biblical world. And in doing so she analyses not only the origins of our oldest monotheistic religions, but also the origins of Western culture.

Rivetingly fresh and stunning . . . Isaiah actually saw God’s genitals filling the temple. This sounds just too comical to be plausible - and yet fertility and bull-like potency are essential to ancient deities, and Stavrakopoulou argues that Jahweh is no different. Much more like the Cerne Abbas giant than today’s CofE would really want.

Christopher Hart, Sunday Times

Stavrakopoulou's book restores limb by limb the terror and the awe of that whole, obscured by translators and commentators through the ages. How does Stavrakopoulou achieve this? Through the provocation and erudite analysis of ancient material evidence and texts, not as records of discrete cultural and religious traditions but as centuries-long accumulated treasury of imaginings of the embodied divine . . . an enriching and disturbing, at times pleasurable and always thought-provoking experience.

Simon Yarrow, Literary Review

Boldly simple in concept, God: An Anatomy is stunning in its execution. It is a tour de force, a triumph, and I write this as one who disagrees with Stavrakopoulou both on broad theoretical grounds and one who finds himself engaged with her in one narrow textual spat after another . . . I have poetic reservations but Stavrakopoulou has nonetheless written a stunning book.

Jack Miles, Catholic Herald